Raoul Walsh — Study Portal
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Raoul Walsh is studied here as [operative framing] — we ignore biographical trivia to focus on their mastery of [specific skill].
Technical Profile
| Data Point | Detail |
|---|---|
| Key Collaborators | |
| Primary Genres | |
| Critical Fan Club | |
| See Also | |
| IMDb | nm0909825 |
| Letterboxd | Letterboxd |
| TSPDT | They Shoot Pictures |
Operative Principles
| Principle | Definition | Linked Node |
|---|
Filmography
| Year | Title | Type | TSPDT | Status |
|---|---|---|---|---|
| 1913 | The Pseudo Prodigal | Film | — | — |
| 1914 | Out of the Deputy’s Hands | Film | — | — |
| 1914 | Regeneration | Film | — | — |
| 1914 | The Life of General Villa | Film | — | — |
| 1915 | Carmen | Film | — | — |
| 1915 | Peer Gynt | Film | — | — |
| 1915 | The Regeneration | Film | — | — |
| 1916 | Pillars of Society | Film | — | — |
| 1916 | The Serpent | Film | — | — |
| 1917 | The Conqueror | Film | — | — |
| 1917 | The Honor System | Film | — | — |
| 1917 | The Innocent Sinner | Film | — | — |
| 1917 | The Pride of New York | Film | — | — |
| 1917 | The Silent Lie | Film | — | — |
| 1917 | This Is the Life | Film | — | — |
| 1918 | Every Mother’s Son | Film | — | — |
| 1918 | I’ll Say So | Film | — | — |
| 1918 | On the Jump | Film | — | — |
| 1918 | The Prussian Cur | Film | — | — |
| 1918 | The Woman and the Law | Film | — | — |
| 1919 | Evangeline | Film | — | — |
| 1919 | Should a Husband Forgive? | Film | — | — |
| 1920 | From Now On | Film | — | — |
| 1920 | The Deep Purple | Film | — | — |
| 1920 | The Strongest | Film | — | — |
| 1921 | Serenade | Film | — | — |
| 1922 | Kindred of the Dust | Film | — | — |
| 1923 | Lost and Found on a South Sea Island | Film | — | — |
| 1924 | The Thief of Bagdad | Film | — | In Vault |
| 1925 | East of Suez | Film | — | — |
| 1925 | The Spaniard | Film | — | — |
| 1925 | The Wanderer | Film | — | — |
| 1926 | The Lady of the Harem | Film | — | — |
| 1926 | The Lucky Lady | Film | — | — |
| 1926 | What Price Glory | Film | — | — |
| 1927 | The Loves of Carmen | Film | — | — |
| 1927 | The Monkey Talks | Film | — | — |
| 1928 | In Old Arizona | Film | — | In Vault |
| 1928 | Me, Gangster | Film | — | — |
| 1928 | Sadie Thompson | Film | — | — |
| 1928 | The Red Dance | Film | — | — |
| 1929 | Hot for Paris | Film | — | — |
| 1929 | The Cock-Eyed World | Film | — | — |
| 1930 | The Big Trail | Film | — | — |
| 1931 | The Big Trail | Film | — | — |
| 1931 | The Man Who Came Back | Film | — | — |
| 1931 | The Yellow Ticket | Film | — | — |
| 1931 | Women of All Nations | Film | — | — |
| 1932 | Me and My Gal | Film | — | In Vault |
| 1932 | Wild Girl | Film | — | — |
| 1933 | Going Hollywood | Film | — | — |
| 1933 | Hello, Sister! | Film | — | — |
| 1933 | Sailor’s Luck | Film | — | — |
| 1933 | The Bowery | Film | — | — |
| 1935 | Baby Face Harrington | Film | — | — |
| 1935 | Every Night at Eight | Film | — | In Vault |
| 1935 | Under Pressure | Film | — | — |
| 1936 | Big Brown Eyes | Film | — | — |
| 1936 | Klondike Annie | Film | — | In Vault |
| 1936 | Spendthrift | Film | — | — |
| 1937 | Artists & Models | Film | — | In Vault |
| 1937 | Hitting a New High | Film | — | — |
| 1937 | Jump for Glory | Film | — | — |
| 1937 | O.H.M.S. | Film | — | — |
| 1938 | College Swing | Film | — | — |
| 1939 | St. Louis Blues | Film | — | — |
| 1939 | The Roaring Twenties | Film | — | In Vault |
| 1940 | Dark Command | Film | — | — |
| 1940 | They Drive by Night | Film | — | In Vault |
| 1941 | High Sierra | Film | — | In Vault |
| 1941 | Manpower | Film | — | In Vault |
| 1941 | The Strawberry Blonde | Film | — | — |
| 1941 | They Died with Their Boots On | Film | — | — |
| 1942 | Desperate Journey | Film | — | — |
| 1942 | Gentleman Jim | Film | — | In Vault |
| 1942 | In This Our Life | Film | — | — |
| 1943 | Background to Danger | Film | — | In Vault |
| 1943 | Northern Pursuit | Film | — | — |
| 1944 | Uncertain Glory | Film | — | — |
| 1945 | Objective, Burma! | Film | — | — |
| 1945 | Salty O’Rourke | Film | — | — |
| 1945 | The Horn Blows at Midnight | Film | — | — |
| 1946 | The Man I Love | Film | — | In Vault |
| 1947 | Cheyenne | Film | — | — |
| 1947 | Pursued | Film | — | In Vault |
| 1947 | Stallion Road | Film | — | — |
| 1948 | Fighter Squadron | Film | — | — |
| 1948 | One Sunday Afternoon | Film | — | — |
| 1948 | Silver River | Film | — | — |
| 1949 | Colorado Territory | Film | — | In Vault |
| 1949 | White Heat | Film | ★ | In Vault |
| 1950 | Montana | Film | — | — |
| 1951 | Along the Great Divide | Film | — | — |
| 1951 | Captain Horatio Hornblower R.N. | Film | — | — |
| 1951 | Distant Drums | Film | — | — |
| 1951 | The Enforcer | Film | — | In Vault |
| 1952 | Blackbeard, the Pirate | Film | — | — |
| 1952 | Glory Alley | Film | — | In Vault |
| 1952 | The Lawless Breed | Film | — | — |
| 1952 | The World in His Arms | Film | — | — |
| 1953 | A Lion Is in the Streets | Film | — | — |
| 1953 | Gun Fury | Film | — | — |
| 1953 | Sea Devils | Film | — | — |
| 1954 | Saskatchewan | Film | — | — |
| 1955 | Battle Cry | Film | — | — |
| 1955 | The Tall Men | Film | — | — |
| 1956 | The King and Four Queens | Film | — | — |
| 1956 | The Revolt of Mamie Stover | Film | — | In Vault |
| 1957 | Band of Angels | Film | — | — |
| 1958 | The Naked and the Dead | Film | — | In Vault |
| 1958 | The Sheriff of Fractured Jaw | Film | — | — |
| 1959 | A Private’s Affair | Film | — | — |
| 1960 | Esther and the King | Film | — | — |
| 1961 | Marines, Let’s Go | Film | — | — |
| 1964 | A Distant Trumpet | Film | — | — |
Dossiers
Film dossiers appear in the backlinks panel (right sidebar) — populated automatically by wikilinks in film notes.
