Max Ophüls — Study Portal
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Max Ophüls is studied here as [operative framing] — we ignore biographical trivia to focus on their mastery of [specific skill].
Technical Profile
| Data Point | Detail |
|---|---|
| Key Collaborators | |
| Primary Genres | |
| Critical Fan Club | |
| See Also | |
| IMDb | nm0649097 |
| Letterboxd | Letterboxd |
| TSPDT | They Shoot Pictures |
Operative Principles
| Principle | Definition | Linked Node |
|---|
Filmography
| Year | Title | Type | TSPDT | Status |
|---|---|---|---|---|
| 1931 | I’d Rather Have Cod Liver Oil | Film | — | — |
| 1932 | The Bartered Bride | Film | — | — |
| 1932 | The Company’s in Love | Film | — | — |
| 1933 | Laughing Heirs | Film | — | — |
| 1933 | Liebelei | Film | — | — |
| 1933 | Love Story | Film | — | — |
| 1934 | A Man Has Been Stolen | Film | — | — |
| 1934 | Everybody’s Woman | Film | — | — |
| 1935 | Ave Maria de Schubert | Film | — | — |
| 1935 | Divine | Film | — | — |
| 1936 | Chopin’s Brilliant Waltz | Film | — | — |
| 1936 | The Tender Enemy | Film | — | — |
| 1936 | The Trouble with Money | Film | — | — |
| 1937 | Yoshiwara | Film | — | — |
| 1938 | The Novel of Werther | Film | — | — |
| 1940 | From Mayerling to Sarajevo | Film | — | — |
| 1940 | L’école des femmes | Film | — | — |
| 1940 | There’s No Tomorrow | Film | — | — |
| 1947 | The Exile | Film | — | In Vault |
| 1948 | Letter from an Unknown Woman | Film | ★ | In Vault |
| 1949 | Caught | Film | — | In Vault |
| 1949 | The Reckless Moment | Film | ★ | In Vault |
| 1950 | La Ronde | Film | — | — |
| 1952 | Le Plaisir | Film | ★ | In Vault |
| 1953 | The Earrings of Madame de… | Film | ★ | In Vault |
| 1955 | Lola Montès | Film | ★ | In Vault |
Dossiers
Film dossiers appear in the backlinks panel (right sidebar) — populated automatically by wikilinks in film notes.